This is the tale of how textiles played a central part in one of the great cultural and artistic upheavals of the last century, helping to bring about a change that was to reach deep into many lives, influencing fashion, interior design, illustration, art, and dance.
The Ballet Russe, gathered together by the mercurial figure of Serge Diaghilev in the early part of the twentieth century, was revolutionary in almost everything it did. The dancers, the music, the choreography, the sets, and the costumes astonished audiences – no one had seen anything like it before. The ballets became so popular that the costumes were copied by fashion designers and began to appear on the street.
The Ballet Russe was such a phenomenon that artists like Matisse and Picasso were happy to design for it, joining in-house artists like Bakst and Goncharova. Today, over a hundred years later, very little survives of the incredible performances given across Europe and America by the company, except the glorious music and the wonderful costumes.
These are often battered and bruised by a life on the road – they are far from pristine, stained with sweat and makeup, repaired and remade, but they have extraordinary power and wonderful stories to tell us, of where they were made and how they were used to change our ideas about dance and culture.
For more information, a full transcript, and further links, https://hapticandhue.com/tales-of-textiles-series-5/
