Is it bad to print your mix offline? John talked about the importance of arrangement, mastering dynamics in your mix, the Fletcher Munson curve, listening loud and quiet, crest factor, customer care, and why some plugins are different every time!
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My guest today is John Mayfield a mastering engineer with over 50 years of experience and owner of Mayfield Mastering in Berry Hill. Originally a career musician, John turned to recording and mixing in the 80s travelling to studios all over the world. He has also been a guest on episode RSR036.
Originally a successful touring and studio musician John started out in the studio recording and then mixing all over the world finally settling on Nashville to start his own mastering studio. Dave Matthews Band, Sara Evans, Kathy Mattea, Naturally 7, Warner Brothers Records and Universal Music Group-UK, to list a few.
John notes on his website that everyone in music is trying to figure out what is next and define the new business model. Since records are being made more often by independent sources with smaller budgets that cannot always afford the high dollar mixer the need for quality mastering is very much in demand. “Music will always be a part of our lives. Maintaining and improving the quality of that music has always been at the heart of my efforts. It is not a job to me, but rather a true joy, You would be amazed at what we can do with a project in mastering that might not have been an A+ mix.”
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Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/2PQ8g3iNvYcH2XeBXDLtSl?si=938d345bee734267
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