Where is the attack of a bass anyway? Damian talked about wireframing production, mixing on small speakers, Pro Tools editing by hand, recording modular synths, pen and paper producing, how to get wide bass, and why you don't need no stinking mono!
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My guest today is Damian Taylor a 10 x Grammy nominated producer, engineer, and mixer best known for his work with Bjork, The Prodigy, The Killers, Arcade Fire, UNKLE, TR/ST, Odette, The Temper Trap, City of the Sun, and Dizzy and recently for Bomba Estéreo’s album “Deja” picking up 4 nominations between the Anglo and Latin Grammys, including an album of the year nomination at the Latins. Damian has also been a guest on the podcast previously for episode RSR316 where we talked about his background in recording.
Damian hosts an online community The Complete Producer Network is a positive and supportive place for folks to talk about all aspects of creating and releasing music at www.completeproducer.net and there are a few music production programs within the network.
The Mix Accelerator Process is all about ensuring your vision and creativity are in the driving seat when you mix. The Beats Accelerator Process establishes the foundations of instant creativity through a drum programming and practice system. Damian’s Online Studio makes the community, learning, networking and collaborative aspects of multi-room studio facilities available in an online format for people anywhere in the world.
Thanks so much to Colin Ramsay at GPS Management for making our introduction.
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Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/7yxD0GXOlhzpAAgcDVEwtW?si=79598e25e8e54b50
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