Julia Adolphe’s music has been described as “alive with invention” (The New Yorker) and “colorful, mercurial, deftly orchestrated” (The New York Times). Current commissions include a viola concerto for the New York Philharmonic and a large choral work for James Conlon and the Cincinnati May Festival. Adolphe has received numerous awards including a 2016 Lincoln Center Emerging Artist Award and a 2015 Charles Ives Scholarship from the American Academy of Arts and Letters.
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Julia Adolphe discusses how to balance her time between composing and working on her composition business.
Topics discussed in this episode:
Connecting through concerts Connecting in person Keeping in touch with potential commissioners Scheduling composing & business time Creating a writing calendar Setting writing goals Communicating throughout the creative process Creating buy-in with the performers Being patient Asking a lot of questions Being curious The power of napsWebsite:
www.juliaadolphe.comRecommended Listening:
Benjamin Britten, The Turn of the Screw Benjamin Britten, Peter GrimesRecommended Reading:
Eric Booth, The Music Teaching Artist's Bible: Becoming a Virtuoso EducatorThis post contains affiliate links.
