This episode features an interview with Diane Davis, who also appeared in Rhetoricity's first episode and directed the dissertation of this podcast's host. (This interview was in fact recorded the same day that dissertation was defended.)
More significantly, Dr. Davis is a professor in the Department of Rhetoric and Writing at The University of Texas at Austin and will serve as chair of that department beginning in fall 2017. She is also the Kenneth Burke Chair and Professor of Rhetoric and Philosophy at The European Graduate School. She's the author of Breaking Up [at] Totality: A Rhetoric of Laughter and Inessential Solidarity: Rhetoric and Foreigner Relations, coauthor of Women's Ways of Making It in Rhetoric and Composition, and editor of The ÜberReader: Selected Works of Avital Ronell as well as Reading Ronell.
Davis's current research focuses on non- and extrahuman rhetorics. Her recent publications in this vein include "Creaturely Rhetorics," "Autozoography: Notes Toward a Rhetoricity of the Living," and "Writing-Being: Another Look at the Symbol-Using Animal." A piece entitled "Afterword: Some Reflections on the Limit" will appear in "A Rhetorical Bestiary," a forthcoming special issue of the journal Rhetoric Society Quarterly.
In this interview, we discuss the genesis, development, and future of Davis's use of the term "rhetoricity"; her recent work on non-/extrahuman rhetorics; and two panels she was a part of at the 2016 Rhetoric Society of America conference in Atlanta, Georgia.
This episode includes clips and selections from the following sources:
Esther Garcia - "Aquarium" from Camille Saint-Saëns' Le carnaval des animaux Jean-Luc Nancy's The Inoperative Community Emmanuel Levinas's "The Name of a Dog, or Natural Rights" (included in the collection Difficult Freedom) Arnold Schoenberg's Verkläte Nacht, Op. 4 "Do Plants Feel Pain?" from the Smithsonian Channel and freesound.org