Edit (08/07/2019): The CFP for the 2020 Sound Studies, Rhetoric, and Writing Conference is now live! Check it out here.
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Just in time for the 2019 Computers and Writing Conference, this Rhetoricity episode features . . . an audio recording of Eric Detweiler's 2016 Computers and Writing presentation. A majorly revised reiteration of this presentation came out last year in volume 5 of Textshop Experiments.
In short, this episode/presentation makes the case for embracing weirder conventions in academic podcasting, drawing on the popular podcast Welcome to Night Vale as a model. Because the episode is a recording of a presentation, it's more monologic than the interview-centered episodes of this podcast. But it does come with circus music, sound effects, a parodic advertisement, traffic update, and weather report, so give it a listen if you're up for a slightly odd episode.
Finally, this episode is also a chance to announce two other sound-related happenings in rhetoric and writing studies. First, the official launch of the new sonic projects section in enculturation: a journal of rhetoric, writing, and culture. The first two pieces in that section were just published as part of the journal's 28th issue. Second, the Sound Studies, Rhetoric, and Writing Conference in Detroit, Michigan. That conference will happen from October 1-3, 2020, and builds on last year's Symposium on Sound, Rhetoric, and Writing. The CFP should be available in the next week or two, and this blurb will be updated with a link to that CFP once it's ready.
This episode uses the following sound clips:
"8 Bit Circus Music" "Submarine Diving Sound" "Breaker-1" "The University of What It Is"