It's Carnival in The Village, and Dance of the Dead — an episode that was nearly scuttled on account of Patrick McGoohan's disdain for it (and refusal to shoot at least part of its climactic scene) — offers a fascinating glimpse into The Prisoner's conflicting aesthetic priorities.
Marry Morris, our latest Number Two, is a memorable malefactor whom Glen admits he’d like to have as his mom. He also laments the undisciplined nature of her color-coded-or-not telephone system, and goads Chris into railing against the cosmic obliviousness of umbrella-users.
You also get a great heel turn by Aubrey Morris, a haunting performance by Alan White as a doomed former colleague of The Prisoner, an oddly flat showing by Norma West as The Prisoner's observer, and some of the most indelible visual imagery of the entire series.
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