Meet the characters and explore the rich vocal history of DAS RHEINGOLD with Seattle Opera Dramaturg Jonathan Dean. With recorded music examples ranging from 1904 to 2015, Dean considers how DAS RHEINGOLD challenges its singers to feats of lyrical and heroic singing—and even listens for the dreaded “Bayreuth Bark.” Includes special examples from Seattle Opera’s 1976 English-language RING, plus “tag-team” musical examples—where switching singers mid-aria offers an opportunity to hear even more amazing voices.
Musical credits: 100 Jahre Bayreuth als Schallplate, the Early Festival Singers: Anton von Rooy (Wotan), 1908; Hans Breuer (Mime), (1904); Ernestine Schumann-Heink (Erda), 1907. Les Introuvables du Chant Wagnerien: Friedrich Schorr (Wotan), 1929. 1953 Bayreuth; Clemens Krauss conducts Ludwig Weber (Fasolt), Josef Greindl (Fafner), Erich Witte (Loge), Hermann Uhde (Donner), Paul Kuen (Mime). 1953, RAI Roma; Wilhelm Furtwängler conducts Lorenz Fehenberger (Froh). 1976, Seattle Opera; Henry Holt conducts Malcolm Rivers (Alberich) and Noel Tyl (Wotan) singing Andrew Porter’s English translation. 1978, Covent Garden; Colin Davis conducts George Shirley (Loge). 1989, Bayerische Staatsoper; Wolfgang Sawallisch conducts Nancy Gustafson (Freia), Kurt Moll (Fafner), Marjana Lipovsek (Fricka), Julie Kaufmann (Woglinde), Angela Maria Blasi (Wellgunde), and Birgit Calm (Flosshilde). 1991, Bayreuth; Daniel Barenboim conducts John Tomlinson (Wotan), Matthias Hölle (Fasolt), and Helmut Pampuch (Mime). 1995, Seattle Opera; Hermann Michael conducts Monte Pederson (Wotan). 2013, Seattle Opera; Asher Fisch conducts Greer Grimsley (Wotan), Stephanie Blythe (Fricka), and Dennis Peterson (Mime). 2015, Hong Kong Philharmonic; Jaap van Zweden conducts Kwangchul Youn (Fasolt), Stephen Milling (Fafner), and Kim Begley (Loge).
